|Dimensions||90 × 20 × 113 cm|
Mixed media (acrylic, ink and rubber) on canvas, 113x90cm.
‘My art contributes to the discussion of the intersection between biology and technology.’
The artist’s paintings are meant to take the audience through a poetic digital flow of emotional media hybrids. She deliberately visualises a scene or a set of characters maintaining fragments of narratives. Abstract manipulations create a fusion between a painting-like and a computer-generated representation. She creates spaces with predetermined visioning of missing human tactility. A new civilisation might be perceived paradoxically as amorphic beings without any desires for consumption, freedom, joy, balance. She explores a visual unawareness which gradually has been introduced by the advent of the digital age.
The lines, colours, shapes, and textures found in the canvas derive their substance from the artist’s daily encounters with ordinary objects. These mundane objects that surround her also define her because they act as an ever encompassing mirror. It is not enough that these objects transcend and find their purpose for others. It is vital that they form a union and learn to co-exist. The nature of their true strength becomes clear once they dissolve into and unto one another. It is only then that they too learn their true purpose. It is only then that we once again step up and see ourselves reflected in their perfect mirrored amalgamation.
2010-2014, British Higher School of Art and Design, BA in Graphic Design and Illustration, Moscow, RF.
2018-present, School of the Museum of Fine Arts at Tufts, MFA Interdisciplinary Art, Boston, MA, USA.
Artist Magazine Annual Art, a 2nd place winner.
UVA Art Show: The Waste Land Earth, Boston,USA.
Screening at Media Arts Annual in Museum of Fine Arts, Boston, USA.
A’design Silver Award. Category: Wearable Art. Villa Olmo, Como, Italy.